Tuesday, November 20, 2018

KOMA ROAD BLOCK RETURNS: NTATE TSHELE LISTENING EDITION - Press Release


It’s been a long time coming. The Koma Road Block Sessions are here and this time in the form of listening sessions – in order to give the artist concerned a different kind of ear. This is where we fully pay attention to artist in a broader way than performance.  Read more here about how…
The Koma Road Block Sessions (#KRB_Sessions), in the form a listening session (#ListeningSession) is a session whereby  an artist who has music, art or craft that is either a complete or large enough body of work gets a chance to be listened to. This is done to an audience of different kinds of people in attendance. The sessions also give the artist in question a chance to speak about their work while the audience listens and ask questions. The reason for the existence of such an idea is due to realizing that the stage, stereo, radio, television, print alone is not a perfect reflection of the artist. Sometimes what reaches everybody are mere pieces of us. We hardly ever get to speak for ourselves. This then gave birth to the idea of a listening session, to supplement the artists’ stage presence with a more connected interaction.
It has come to our attention that the most tangible outlet for artists is through their art. They are hardly listened to on a human level – except mostly amongst themselves. This is a platform where the artist can share in their struggles to create and eventually present their art, while still having to face the many different challenges that come with producing work. The artist is in a state of rapid transformation, with very little time to deal with ordinary everyday life. The sessions come  in as that momentary breather that puts one through a sort of self-reflective journey as well.
While having the artist share their stor(ies)y, the sessions will be bringing in a cross-pollination environment where they share in their methods of conception and production to a majority of an inexperienced audience.
This installment will be headlined by a great musician and human being in general, Tshele Tsoerenyane. He is an awesome guitarist who was born in Phiri, Soweto. He say’s to have been drawn to the audiovisual arts during his pre-teen years. “Ntate Tshele” as he is popularly known by the Sowetan music community plays guitars, a little piano, a little bass and synthesizers.  He taught himself some music theory and can read & write a little staff notation. The type of music he plays is Afro-Funk, Afro-pop, a little Hip Hop, seSesotho compositions all with a touch of jazz. “My dad played the guitar and my mom loved to sing from dawn until dusk.” – he says. “My greatest influences have been Stevie Wonder, Bob Marley, Harry Belafonte, Big Joe Turner, Louis Satchmo Armstrong and the likes” – he adds. He says he is currently inventing a genre and doesn’t know what to name it. He composes and records his own songs from his studio at home. Ntate Tshele only started to record his music in 2014 and is busy with what is to be his official release of music. We will have a listen to his body of work and get to hear his story about his journey through it.



We then go into something very rare, a podcast known as Alpha Ohms. This episode is a feature with Phaks ManIs. This is a broad interview that stretches from his beat-making process to the message of the music. He takes us on a journey through sound and rare tunes produces by a magical hand in sampling that is eons beyond his time. This is something one really has to hear. Whether as a beat-maker, audiofile, music-lover or just you, it is music that is able to communicate with everyone. Let him take you on a journey through the music. He takes us on a journey through the tape known as “Beats Cuts & Band Ages.”  Through a Jazz/Hip Hop experience which is a guaranteed mind-blowing experience.




Our live acts for the day feature the amazing Boitomelo “Roccotole” Sithole. Founder of 1Shoe10Miles, a non genre classed music project, Rocco is a writer, vocalist, chef and designer. She is art encapsulated in body, guided by her spirituality and her musical eccentricity – which she believes is spiritual freedom. Her band consists of Neno Blues on backing vocals, Kgorogile on drums, Monwabisi on guitars and Curtis on bass. “It all started in a church choir when she was told to sing Jan but received the same reference. “I went back and forth trying to imitate existing voices until I discovered my own sound in October 2017.” – says Rocco. Rocco has performed at the Sawubona Music Jam, Soweto Arts & Craft Fair, Poetic Thursdays, A Black Boys Dream (AGOG Gallery), Serial Chillas and Inside Out. Look out look out…


Terrence Africa will be holding down the boards for us for the day with a Dj set. He is quite an experienced young individual from Chiawelo. He is firstly a beat-maker and then a dj – who says he started making beats purely out of the love for that fat boom bap authentic sound of Hip Hop sound. I use that true school sound to bring balance back into the game. Inspired first by Madlib, Terrence also has been influenced by 9th Wonder, Phaks Manis, Page, Blaq Faith – just to name a few of his teachers. He would like to one day work with the Thievery Corporation on production and would like to work with the emcee known as DiceMac. Look out for one of Terrence great fat sound sets.



Also on the live performance sets, look out for an EAV presentation. As we progress with the activity, we will be having Incognito TheLocks Myth as our Tai-Chi instructor. Inco, more popularly known for his use of words to create an extraordinary dialect which guides his oratory through Hip Hop, Poetry, theatre and the literary arts in general. Inco is a word sage and a very conscious meditator, for this occasion though, he will be giving us some techniques in calmness of the mind. This one is one to take part in if you would like to connect with other inward vibes.


A face-painter will be present to do artwork on faces. Her name is Tshepi Mokgobi. She hails from Killarney and is part of the Funda Community College graphics team. Tshepi has done an extensive amount of graphic work for the Funda Community College and her can be seen on the College’s Facebook page. 

Apart from exhibiting their art, Nceba Bhengu, Simangaliso Sibiya and Jonathan Stevovo will be doing live painting on the showcase during the day – themed by the feeling of the day. These are also artists from Funda Centre. Simangaliso Sibiya is the head of co-operative organization that runs from Funda Community College called Mollo Wa Ditshomo that  has done super amazing work through the years. It is. He has represented South Africa in the Netherlands through a project known as Decolonial Futures.
Nceba Bhengu is a Bic Competition finalist. He hails from KwaZulu Natal in the rural acres of KwaSayimane. He is a Staedtler Bronze Ambassador, a live painter for the Nomalanga Theatre production, has done a group exhibition with Conte Magazine, he did a live painting during the Keorapetse “Bra Willie” Kgositsile Tribute at Funda Centre and was amongst the first to perform a live painting at the Hector Peterson Memorial Museum.
Jonathan Stevovo is also a Funda student from Protea Centre. He is a first year student at Funda who is getting exposure through the College and the group projects. Also a Nomalanga production live painter, “Johnny” has had a fair share of stage presence and exhibition exposure.


We kindly and humbly invite you to our humble beginnings, on board a journey many creative paradigm shifts. We are of the philosophy that everything in is a state of constant change and that is how we approach everything. May we do justice in sharing this mentality to all whom we come across.

Please don’t forget to get updates on Facebook page which is www.facebook.com/emagineav
Our Instagram handle is emagineaudiovisual.

Written by and spun by: Dumisani Radebe




Thursday, May 24, 2018

Certainly Dilluded but Undiluted













In the age of Hip Hop in its resurrection, with many “sub” branches claiming their origin in this magical intelligent movement that came and fathered many sons and daughters looking for pivotal voice – we thought we should catch up with one of its most competent soldiers. Impropoe, White Shadow, Shaun Collins or James Caviar as known to the rap community, is a Sowetan emcee who hails from the township of Rockville. With the world-wide-web making one organism out of all of us, it is digitally that this interaction is executed. Ahead of the Certain Dillusions – Listening Party happening at Soweto Food Art on the 3rd of June, we caught up with Beefi to get his word on the forth-coming event. This is how it went down:
Question: So yeah mans, can you please start by fully introducing yourself in a way that does justice to who you are and what you are bringing to the game?

No. My name is ImproPoe... Simple and plain... Nothing too grandiose...
Question: How would you go about defining your music?

I don't understand the question...
Question: I have known you for quite a long time now and have seen you in the many phases of your hip hop transitions, how would you describe you morph into what Beefi is now?

It took time... Question: You are now living in a new and foreign environment, how has this affected your outlook on Hip Hop and the different scenes globally, especially where you are at?

It hasn't really... The music I do wasnt really big back home... It isn't here either... So no real change...
Question: This event is an attempt at making the world even smaller through the use of digital means. Do you think the spectrum can be broadened as to the creation of more borderless projects?

Yes... It's easy to produce and post on the web...
Question: Certain Dillusions is officially out, with another gem already making ears pop (Body of Proof), how would describe the difference between the 2 projects?

One is of a younger Mc try G to make his mark... The other is of one who has made it and can now try to diversify his style... One is young and wild and the other is more mature and controlled... One centre's around flow the other centre's around bars and song making...
Question: Writing solid material is one of biggest challenges that writers have these days so please explain where all these rhymes come from?

I wish I could... But it would be like trying to explain a feeling... I can't do it without making metaphors and I that's not explaining where bars comes from that's just comparing a feeling... FYI I never have problems with writing because it comes naturally... If you have problems perhaps you should be doing something else...
Question: Apart from writing, which other challenges have presented themselves in your journey as an artist? Also please try answering this one in a way that sheds light to what you would’ve done different if you knew other things earlier?

Firstly writing was never a challenge for me just a journey... Production of music and finding the right instrumentals for my projects has been a bit of a challenge but since these aspects are outta my hands I don't consider them to be challenges or problems to my art... My art begins and ends when I start and finish writing... Anything else, in my opinion, is for other people.

Thank you very much my man. I hope we can continue to write some more and document this experience with your tape. We will be looking out for more works. Hip Hop is very much alive as we have seen with the rise of the old school witty rhyme patterns and for all we know, you're one of the greatest writers of the rhyme of all time. We are hoping for all the best for you and we will be here all the way.

For all looking to get some of the music from Impropoe, it can be found right here:
https://audiomack.com/album/impropoe/certain-dillusions

Wednesday, May 9, 2018

#BANDUSTRY - Bands Arts Trees with BCUC & DJ Invizable




Images courtesy of #bandustry

Written by: Dumisani Radebe

So, after a while of procrastination and laziness, I thought I should write about this. Bandustry came to Sawubona Music Jam and shared a lot of light to our side of the musical sphere. The usual Sawubona atmosphere was in this case filled with infinite amounts of curiosity.
A huge part of why I haven’t written anything is due to that my attendance of this innovative interaction was more observant than journalistic – although the intention was journalistic. It turned out I was there to participate more than to write. Hence my lack of confidence for an accurate account of the events that transpired.
According to my understanding however, Bandustry is a collective of cool people who are concerned about the circulation of information among artists within and about the music industry. Their approach is having a panel with much established artists or music industry sages in engagement with upcoming talent and generally those who wish to know more. DJ Catherine Grenfell takes the hosting of these and eases platform for everyone. On the panel this time was DJ Invizable and Jovi of BCUC (Bantu Cultural Uhuru Consciousness).
My breakdown of things may not reflect the full speech of the panelists but what is written here is what was said by the concerned panelist. First up we had DJ Invizable, who had jusdt completed working on a track with BCUC.Hailing from Pretoria, DJ Invizable lets us know that the style of music he makes is known as Afro-futurism. He plays using small sound interface and Macbook. When asked about the whole contraption and how he makes it do what it does he simply chuckled and said – “It’s not about the gear but rather about the idea.” He says in order to come across this sound he had to lose his identity only in order to recreate it again. When asked who he can compare his sound to, he let us know that he likes what Gazelle does.
Another big question that was lingering for the night was how to break through or interact with the international market or role-players. This first thing thst Invizable emphasized in this regard was the willingness to take risks. “Buy a ticket!” – he said. He continued to explain that one does not last long in the game if they’re not serious. “Consistent creation of content like pictures, dj mixes, podcasts etc. is what creates credibility around yourself.” – he added. His talk continued to reveal more important undertakings one can embark on in trying for musical success at home & abroad - such as building and maintaining relationships through the use of relentless communication. The key to this lies in keeping the human element, while being professional and proactive. He advised that respect and reliability will help one go a little further than the rest. The careers of many people are balanced on ego, which makes it difficult for one to reimaging how they present themselves and this is a trait many of us will need going forward. He let us know how to adapt to an ever-changing musical environment.
One of the most common challenges faced by many artists is the issue of funds. Despite the pressure this puts on everyone, he ensures that this challenge only marks a barrier to entry and is not by any means a limitation to one’s creativity. Dj Invizable also says that there are good times to look forward to and only needs to be positive and keep doing what they’re doing.
JOVI
I like thinking of Jovi as one of South Africa’s township superheroes. My reason for this may be obvious but I will clarify. For me, coming from a township is one of life’s biggest struggles on its own. Becoming an international brand is something else. To top it all off, his band is signed to an international record label in France. The success of anyone born in the township is in many cases marked by coming back home and doing something progressive for the “ghetto” – to which in this case I beg to differ. Being an artist and seeing successful artists is one of the greatest things one can witness. Especially, if from a township and BCUC is the embodiment of township arts success.
  When asked about the journey of BCUC from conception to now this is what he had to say. He said it has been a long journey, a long struggle for approval and the feeling of being owed. He adds that it’s a struggle of disappointment after disappointment until you gauge the struggle. It is a struggle that ends when you start doing YOU, until you start believing in your ‘CRAZY’ and start taking your ‘WEIRED’ as a gift. He adds that their music is far beyond what is in circulation. He emphasizes that through their music, consciousness should resonate and it must be felt how proud they are of being black.
Through the many years of being involved in the music, Jovi warns that one must toughen up as it is a road of constant back-stabbing, among other things. I would just like to emphasize “CONSTANT BACKSTABBING” (clears throat – and out) – which is something I am sure many of us have felt while walking the mile. It is good to keep in mind that not all of us can afford things hence we must wear our hardships with a certain amount of swag – he added.
When it came to the international advances the band has been making, Jovi told the crowd upon being asked – that they are now signed to a French record label known as NyamiNyami Records (a name derived from Mnyama meaning ‘black’. He advised that the trick is to travel lightly, to such an extent that they went as far as having gear in both SA and abroad. Leaving space available for other possibilities is a wise move for any traveler. “If you don’t have enough to wear, the photos will look the same.” He added that as artists, we never have to beg, especially in an international paradigm.
In closing Jovi stressed that we must be as professional as can be and that we must have the attitude of treating our art like a job. That was after letting us know that one festival affords you another…
“Don’t lose the match because you didn’t have good game”

-JOVI